The high-end is unmatched.Ī great Swiss Army Knife equalizer. Be mindful not to push the volume of that aux track too much. Tip: Run this in parallel on lead vocals or a vocal aux, and add a substantial amount of gain (anywhere from 1 kHz to 27 kHz) to add whatever the vocal might be missing - whether it’s bite, clarity or air. Try this plugin - add a generous amount of 12 or 16 kHz to the two-buss and you’ll see why. The original hardware unit is one of the most widely used equalizers in mastering.
Tip: Use this in Unison in conjunction with an Apollo interface, and set it to mic level when recording electric guitar for the most absurd, fuzzy, 70’s lead guitar tone I’ve ever achieved in the box. It’s super smooth and I’d describe it as “forgiving” on vocals, but it works on pretty much anything. Tip: Send your bass in parallel to the 33609 and push the input to add excitement and vibe, while still maintaining the dynamics of the original signal.ĭepth, clarity, bite, mayhem - normally I choose a specialty EQ to add one of these qualities to my audio. If you’re looking to “glue” multiple sources together and add instant excitement without killing your dynamic range, this is my favorite compressor. This compressor, which models the classic Neve hardware, is a regular on kick, snare, drum buss and master buss. Try bringing it down to just before the signal starts breaking up, and then push the input for instant vintage saturation and excitement. There are so many tonal options with this plugin - it’s like an EQ, compressor, saturator and signal destroyer all in one. It can also really warm up a master buss and is excellent on lead vocals and close-miked drums. It’s a mainstay on my drum buss and other sub-aux tracks. If I had to choose just one plugin from UAD, this would be it. Beneath are the UA plugins that I use most often. To complement their impressive line of interfaces, which also include the Apollo Quad, Twin, Solo and newer Volt, Universal Audio have been making some of the finest analog emulation plugins for over a decade now. The flexibility, sound quality and reliability make it a perfect interface for recording, production and mixing. Personally I use DMG Equilibrium, also very popular with mastering engineers.The centerpiece of my home studio is a Universal Audio Apollo x8. I do not consider it a must have for electronic music however.įor surgical eq try TDR Labs, cheap and high quality. The 1073 is much better than the Slate one, which is too pointy in mids and the phase interaction is wrong.
#Difference between waves ssl plugin and uad plugin series
The Softube for UAD Chandler Curve Bender is a great bus eq, with color and more forward than Massive Passive, which is better for acoustic/more relaxed workĪlso like API 550 series for channels, eg 560b for kicks and 550a for guitars.ġ176 collection (the newer one, I consider the black 1176LN to be the most like real thing) and Distressor. The newer 88rs is more neutral in sound but similar quality. The Cytomic is also good, but has a little less character than the UAD.
I found these much more accurate at capturing the dry SSL sound than the Brainworx versions and more dimensional than SSL Duende, which is rather old at this point. The newer versions of SSL strip and Bus are ridiculously good emulations (I know the hardware well), but use a lot of DSP. The Eventide H910 is one of the best and vibiest delay plugins, but also available native. The Pure Plate is a stripped down version of EMT 140. There are EMT style plate alternatives from Soundtoys, Waves, Valhalla, but the BX20 you will not find anywhere else. RMX16 if you like the ambience program sounds. Prob the 480L (although the Relab one was first and equally good) since you get so many algorithms that sound great with synths and percussion, highlights being halls and rooms.
I’m thinking of getting the brainworx V3 as one of the plugins for surgical EQ/Mastering but trying to decide if it’s worth getting some channel strips/pre amps or other speciality stuff for the other two plugins. I do use electric guitar and voice occasionally, but really everything else is a small eurorack set up, ableton synths/omnisphere and lots of samples and field recordings. I’ve got a 3 bundle plugin pack where I can choose any three plugins over the next couple of weeks so just demoing things and wondered if you guys on here had any tips? A lot of the sites I’ve looked at mainly talk about tracking live instrumentation. I’ve just upgraded my audio interface to a UA Apollo Twin Quad to use with Ableton/Eurorack.
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